Rosebud Theatre’s production of The Trip to Bountiful by Horton Foote is a rich and rewarding story about love, family, regrets, and hope all brought to life in a wonderful production that provides audiences with a memorable and highly entertaining night at the theatre.
Bringing the play to life is a terrific cast including Judith Buchan as Carrie Watts, Nathan Schmidt as Ludie, Heather Pattengale as Jessie Mae, Rebbekah Ogden as Thelma, and Caleb Gordon and Christopher Allan each playing multiple roles. The production is expertly directed by Morris Ertman who also designed the sets.
All Carrie Watts wants to do is return to her childhood home of Bountiful but without money and being an old woman living with her son Ludie and his wife Jessie Mae her dream of returning home isn’t going to be an easy task to accomplish. She’s tried it before and failed but this time she’s secretly been making plans and preparations, and no one is going to stop her.
But she’s not the only one dealing with life’s difficulties. Ludie and Jessie Mae have had their own regrets because sometimes careers stall and stumble or our hopes for a family don’t work out the way we planned. In the end, all three characters have to figure out how to come to terms with life’s regrets and move forward.
After seeing the show on opening weekend, I arranged an interview with Judith Buchan to talk with her about the play and her portrayal of the feisty and determined Carrie Watts.
JAMES HUTCHISON
So, I saw the play and you know, we talk about the magic of theatre but the true magic of being deeply moved and at times getting lost in a play doesn’t happen very often. It’s a rare experience. But your production had that magic. And I wonder how much of that magic do you sense on the stage and what’s it like to be in a production that has the power to move an audience.
JUDITH BUCHAN
It’s beautiful to hear that actually. I am not sure how much I can sense that. I mean obviously we’re hoping to do justice to the material. Trying to connect and trying to find the truth and the honesty in these people the best we can. And with Horton Foote’s writing nothing is wasted. I go through the whole script every day before I perform it because it is so beautifully written that you do not want to stray from it in any way. And the more I study it, the more I realize nothing is wasted and everything comes back to a payoff at the end, and everything does connect in some way.
In some ways, it’s a little story. My daughter, Rachel, has a great description of this play. She says it’s about an inch wide and about a mile deep. And that really touched me because it’s not as if big things happen yet huge things are happening between the characters. Relationships are being altered in big ways and their eyes are being opened in deeper and more meaningful ways about themselves and each other. I had seen The Trip to Bountiful myself on Broadway with Cicely Tyson playing Mrs. Watts and I was deeply moved by it.
JAMES
It’s a play filled with ghosts because the people in it are mature characters. And I personally like plays about older characters and characters that have known each other for a long time. I just usually find those more interesting. There’s history there that includes tragedy and happiness, and that informs the relationships in the present. Tell me about your character and her journey, and why do you think all the characters in this play are so compelling?
JUDITH
Horton Foote just has the gift of writing simply but just so deeply. I had a lot of great aunts that were very powerful women and very resilient and strong and opinionated and who lived really complicated lives. And I’ve kind of been thinking about them while doing the play. My own mother loved this story, and she did say to me once you could play that part. I hadn’t actually thought of that before she said it, and she died last November so it’s been very poignant for me to be in a play and playing a character that I know she loved.
I think my character and the other characters in the play remind us of people we know. And Carrie loves her son even though his life has been a mess because of an illness. And she adores him so much and he adores both his mother and his wife Jessie Mae. And what would you call her? Well, she’s a strong flavour – Jesse Mae. Just a powerhouse of a person and loving her husband so much and she’s living in a time when she can’t really be more than what she is. And my daughter who really loves this play said Jessie Mae would’ve been a lawyer if she lived now. She’s smart but she’s kind of trapped looking after her mother-in-law and so what can she do?
I think you see the frustrations of the characters really, really well, the things they’re fighting against. And I just think there’s so much truth in the play about how we treat our elders. And I think it’s kind of unusual to have this senior lady being the one taking the journey and I love that.
JAMES
Let’s talk a little bit about the production itself. I’d love to hear what it’s like to work with Nathan and Heather and bring this story to life.
JUDITH
I’m so fortunate. I’ve worked with Heather a few times before and so we already start at a place where we know each other and are comfortable with each other and love each other. So, it’s just fantastic. And Nathan and I haven’t really worked with each other but thirty years ago I taught a few courses here and I would come in from Olds and teach and he was a young student then. And you know its so good to see him mature and become such a fine actor and stay in Rosebud and put his roots down and contribute here and teach. So, it’s really been fun to be on stage with him.
And Rebecca was a student from here and she’s doing all kinds of things and she is just darling. And for her to be the stranger I meet on a bus…I mean how blessed am I to meet Rebecca on the bus every night and have to tell her my life story? And Caleb and Christopher they’re just great having to play several different roles and having to move all the backstage stuff so that things roll in smoothly and roll out smoothly. I agree with Morris our director that on this small stage not having a blackout and instead having everything moved around so smoothly works better and I just love the way that’s done. And I just find the music so beautiful that it almost makes me cry sometimes.
JAMES
Yeah, there’s not a production element that doesn’t work. From an audience point of view, the transitions between scenes are seamless. They dovetail beautifully. It’s like a dissolve on stage.
So, the main character is Carrie Watts. She’s older. She’s looking back at her life, and so, I’m curious about you and your thoughts about growing older and reflecting back. What’s that like?
JUDITH
It’s quite an experience to be able to play this woman and reflect back on my own life. I find certain things that she says really get to me like when she says she wants to know why her life has become so empty and so meaningless. That really gets to me every time because I think people feel that way quite often. And it’s just heartbreaking to have a lot of regrets and I think you can reach an older age and really be so full of regrets. And I can relate to her sometimes. I had one child, so my table isn’t full at Christmas or Easter, but I have great friends.
And in the play Carrie teaches me that you need to be thankful for what you have and whatever you have is enough and maybe we need to really be listening to that. So, I just think it’s really hopeful and helpful to see an older person take stock and admit she has regrets, and then manage to go past that and she sees that she gets her strength not from a house or from people but from the ocean and from the beauty around Bountiful.
JAMES
So, I’m curious to know what you think theatre can offer a modern audience in this age of TikTok.
JUDITH
Well of course, it’s the shared community experience that we were deprived of for the years during Covid. Sitting together in a room and laughing together or crying together and watching something happen in real-time right in front of you. You know, it’s a shared thing that I think is ancient and powerful.
And at Rosebud walking home from a show under the stars and the northern lights and hearing the coyotes in the distance keeps you very grounded in the land and the earth. And having a theatre school here and a community of theatre artists here there’s a big commitment to honesty in the storytelling which you know, most theatres would go along with, but I think somehow because this is an earthy place, I buy more into the honesty. And somehow Rosebud manages to find the essence of the shows they produce and so I enjoy what happens at Rosebud very, very much, and I’m so privileged to be able to work here.
